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Summary
Artist |
Lawrence Alma-Tadema (1836–1912) |
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Alternative names |
Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema |
Description |
Dutch-British painter, draughtsman, etcher and illustrator
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Date of birth/death |
8 January 1836 |
25 June 1912 |
Location of birth/death |
Dronrijp |
Wiesbaden |
Work period |
1851-1912 |
Work location |
Antwerp (1852-1865), Leeuwarden (1855), Cologne (1861), Pompeii (1863-1864), Paris (1864), Brussels (1865-1870), London (1868, 1870-1912), Egypt (1902-1903) |
Authority control |
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Title |
English: Phidias Showing the Frieze of the Parthenon to his Friends
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Date |
1868 |
Medium |
oil on canvas |
Dimensions |
72 × 110.5 cm (28.3 × 43.5 in) |
Current location |
Birmingham Museum and Art Gallery |
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Native name |
Birmingham Museum and Art Gallery |
Location |
Birmingham England |
Coordinates |
52° 28′ 49.08″ N, 1° 54′ 13.63″ W |
Established |
1885 |
Website |
www.bmag.org.uk |
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Notes |
English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right. Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a boy, Alcibiades, with his lover, Socrates.
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Source/Photographer |
Unknown |
Permission ( Reusing this file) |
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse |
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This work is in the public domain in the United States, and those countries with a copyright term of life of the author plus 100 years or less. |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For details, see Commons:When to use the PD-Art tag. This photographic reproduction is therefore also considered to be in the public domain. Please be aware that depending on local laws, re-use of this content may be prohibited or restricted in your jurisdiction. See Commons:Reuse of PD-Art photographs.
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References
- ↑ See Parthenon Frieze Slabs at Last accessed 07-Apr-2007
- ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
- ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
- ↑ "Little is actually known of the life of Phidias, but Alma Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2
File usage
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